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The process of production of the silver is articulated in different phases, some common to all the products, other specific of the typology of object realized.

Fusione: Inside the oven, to the temperature of 961°C, the "Coppella" is united in league with the copper in varying percentages according to the title, to realize some ingots of 2cm of thickness.

Laminazione: The silver ingots are turned into thin foils of various thickness making them pass through two steel cylinders that, rotating on itself, they work as a press.
Modellazione plastica: The silver foils follow different roads to receive, according to the object that it is wanted to realize, one of the phases of "Stampaggio", "Tornitura" or "Martellatura".

Stampaggio: Exploiting the strength of the machines and through moulds in steel, it is given the form desired to the silver foilto later finish up to hand. In this phase the silverwares are produced and above all in smaller measure some types of china.

Tornitura: The foils already cut in oval form or circular are worked to the lathe for the realization of trays and tray tables. The turner chooses among wood and steel forms that more suitable, he settles to the machine together with the silver disk and, with a speed of around 2000 turns to the minute, with a special tool he pulls the metal laying down it on the form and avoiding that it damages itself.

Martellatura: In this phase the silver foil is entirely worked by hand, beating it with a hammer to reach the desired form; in the end the realized object showss on the whole surface a small trace of the tool, typical feature of the manufactured article.

Sbalzo: Manual workmanship of the silver object where the reverse of the manufactured article is beaten through an hammer , so as to deform its external surface and to get in relief the desired decorum (altorilievo)

Cesellatura: The silver object is filled to its inside with a mix of pitch and other substances to confer a greater elasticity and resistance to its surface. On the same one it is traced the drawing that is desired to get to pencil and he proceeds to beat it with some steel tools of different measures, “chisels”, to reproduce in bas-relief the initial decorum.

Incisione: the surface of the object is engraved with a point of sharp steel that, getting out a part of silver, makes the desired drawing. The Engrave can be entirely worked by hand with the “Bulino” or with another technique, the “Guilloché” that allows to create straight or undulated lines, crossing which it's possible obtain many different geometric drawings.

Assemblaggio: The different parts that compose the silver manufactured article are settled among them, using a silver alloy with a lower point of fusion and less of 500/1000.

Pulimentatura: In this step the object is cleaned by all the residues left during the precendents workmanships through the use of special brushes applied to rotating axle.

Argentatura: the manufactured article is immersed in a galvanic bath and covered by a layer of pure silver, so that it confers it a greater brightness.

Lucidatura: Final step of the process at the end of which, using soft brushes and soaked of special substances, the silver assumes its bright and lunar aspect.